The Theatre of Salvation and the Tragic Structure of the Rich Young Man between Aristotle, Campbell, and Stanislavski
To begin this essay, I needed to draw on a few concepts and authors, attempting to bring this context closer to the human drama. Thus, my aim here is not to produce a theological essay but, as a novelist, to assess the text of the Gospel of Matthew 19 and from there try to approach the drama suffered by the rich young man upon receiving Christ’s words.